Anton Pritula Syriac Poetry in the Mongol Time: From Monastery Cells to Royal Tents Anton Pritula - Head of the Byzance and Near East Section, Oriental Department of the Hermitage Museum (Saint Petersburg, Russia). pritulanna@googlemail.com The Syriac poetry of the 11-14th centuries (so-called Syriac Renaissance) has been studied very poorly so far. One of the reasons is a traditional approach of the scholars, who treated this poetry as secondary to the strongly developed Islamic literature. The reason for changing of its character was the final fall of the Caliphate (1258) and the emergence of a new state in the area of Iran and Iraq with the Mongol dynasty, headed by Ilkhans (Hulaguids). The tolerance and sympathies of the rulers towards Christianity allowed the Syriac tradition to reach the royal palace, which also influenced the poetic style. In the article, an attempt is made to show how the poetry reflected political and social life of that period. Besides, it is argued that it had its original features, which were the result of the synthesis of its own traditions and the achievements of the Islamic culture. One of the creators of this new style was Gregory Bar 'Ebroyo (1226 - 1286), a famous West-Syrian philosopher and scientist. His aesthetics was further developed by his East-Syrian contemporary Khamis bar Qardahe of Arbela, who used sophisticated rhythm and rhyme schemes to achieve a stronger effect on the royal court elite. Keywords: Syriac Poetry, Eastern Christianity, medieval literature, Mongol invasion, Islamic literature, royal court poetry, mysticism. Введение. Поэзия и средневековый Ближний Восток ХРИСТИАНСКАЯ средневековая поэзия, в отличие, например, от мусульманской, имеет одно важное измерение - литургическое. Оно проявляется в том, что автор, помимо читателей, стр. 88обретает еще и слушателей, а также множество голосов - исполнителей, переживающих его я как свое. Поскольку в средневековом обществе литургическая жизнь была едва ли не основной, ... Читать далее